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PROTAGONISTS

Beatrice Antolini

Beatrice Antolini, a creative multi-instrumentalist and singer-songwriter, drew sounds from the piano and harpsichord in her piece Fuga Marziale (from Mars to Venus), a Baroque fugue structure developed with electronics like a modern song, blending ancient and contemporary times in the halls of the Museum of Music.

From an early age, Beatrice Antolini developed a passion for studying various instruments and soon began to produce and arrange her own songs. Since 2001, she has lived in Bologna, where she graduated and released her first album, Big Saloon. In 2008, her album A Due (Urtovox Rec.), presented and distributed in England, earned the cover of Il Mucchio Selvaggio magazine. She synced several tracks from A Due in the film Febbre da Fieno and the Canadian series Lost Girl. In 2009, she won the PIMI award for “Best Solo Artist.” In 2011, she released BioY (Urtovox Rec.), recorded the album Vivid (Qui Base Luna) in 2013, and released the EP Beatitude in 2014. As a producer and arranger, she released the album L’AB, followed by the single Imthepilot in 2019 and Il Grande Minimo Solare in April 2022.

COMPOSITION

Fuga marziale
(from Mars to Venus)

A fugue is a polyphonic musical form based on the contrapuntal development of a thematic idea, which is presented and reaffirmed multiple times throughout the exploration of all expressive possibilities. A fugue can also represent a hurried or secret departure from a place, often for serious, not always morally justifiable reasons.

Fuga Marziale is a Baroque fugue structure developed with electronics in the style of a modern song, blending ancient and contemporary times and sounds. Conceptually, it is also a fugue in the etymological sense, a departure from an unwelcoming place in search of renewed inner exploration.

From Mars to Venus, from the masculine to the feminine. From striking action to receiving. From action to compassion.

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